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Im glad to have read this book, but I didnt love the act of reading it. Its about all kinds of avant-garde music that I enjoy (from Throbbing Gristle to the quieter-than-thou micro-sound movement, with detours made for Merzbow, Mego, synesthesia, Whitehouse, and The Kingdoms of Elgaland-Vargaland), and Bailey has an admirable wealth of knowledge and great research skills. That said, it was still a slog more often than not. While Experimentalism Otherwise (which I read at the same time, and loved) was written more in an academic, dry style, this book still got bogged down a lot more often. It felt compelled to explain away every possible criticism of each subgenre, which meant contradicting itself from chapter to chapter at times -- collector culture is bad, but Throbbing Gristle did it as art, so that was okay, and besides, you need to hear Francisco Lopez on an uncompressed CD rather than an MP3 -> except that MP3s are good because some artists given them away for free and people in developing nations can enjoy them -> and besides, theres no reason why sound has to be combined with physical object, thats just an outmoded concept from another era -> except that sometimes its a really nice art edition and thats cool. It reminds me of when Derek Bailey used to change his opinion every few years about what constituted pure improvisation. At times, only a solo performance was true improv. Then it was duos, because theres the pure communication between two minds; solo is just wanking. But wait, no, group improv is the only true improv because thats the true egalitarian spirit of collaboration. etc.Its good that the book got me riled up at times -- its easy to fall into patterns of listening to what you like and whats easy for you (by which I mean me). I was glad to have certain assumptions challenged and to have to re-think my thoughts on certain forms of sound art. Thats always good. That said, I think this book was trying to convince me to listen to a lot of drag-ass process music because its slightly more radical than other related forms. For instance, Bailey decided that Pita is a more innovative artist than Fennesz because track 2 on Get Out, and besides, Endless Summer is totally sentimental. Just check that title! Fair enough, but Fenneszs first album, hotel para.lel was significantly more abstract (and exciting!) than Pitas Seven Tons for Free, its true contemporary chronologically. That Fennesz gets demerits for choosing to wrap his digital abstraction in melodic elements (something Pita has done to various degrees later on) seemed too much like that old (thoroughly disproven) saw about how Lennons the real artist and McCartney just writes dumb pop songs. Also, the assertion near the end of the book that file-sharing and the emphasis on enjoying sound for its own sake without the braggadocio of the collection to show off has brought us to some sort of pure information utopia was way off base. It suggests that only listening to downloaded music files will somehow put your closer to the music while reducing the collectors instinct, which is not how history has gone at all. Its human nature to want to hunt/gather and also to establish a sort of prestige from it. The kids today who dont buy records still have their dick-measuring contests in other ways, by showing off the contents of their hard drives on file sharing networks, or by being the first to find and upload a rare cassette to their MP3 blog. To be fair, the part about music files being available to poor and developing nations was an angle I hadnt thought of, and Im glad for that, but the idea that getting rid of the relic will prevent people from gorging on search and acquisition doesnt match history, or the present day.This is a worthwhile book, and theres an updated version of it (sold by the author himself) which I will pick up and compare to the original (its going to be updated as well as being self-published -- better cover, too). Theres also a second book titled Unofficial Release, about the rise of recordings utilizing handmade or unconventional packaging methods.

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